Falling in a cosmogonical vision, this work entails us in search of our part of star, so expensive to Hubert Reeves. The human being would thus preserve in memory an innate knowledge of his stellar origin. We should not thus see any more this one as a center being self-sufficient in himself, but to reinstate him in a vast movement of organization of the material in the sidereal scale. It is necessary to think of the human being by taking into account what concomitamment the technology shows us of its genesis of there is fifteen billion years
Such is the questioning which leads this research. Intense colors, which tear on dark gaps where from we feel rising an unchanging energy, material fissipare, it is a very "finished" work in front of which it is necessary to take time to settle ourself, because the focal of the compositions can confuse, not knowing in the first glance, if we are in front of an abstract pictorial arrangement or in the presence of a representational vision of the infinitely big.
We can here speak about a progress which is a true plastic creation which suggests reaffirming, restoring the vision of a timeless and universal consciousness.
It is the thorough quality of this work which confers it a considerable density, a work which elaborates little by little, step by step, by means of liqueur brandies fluid strata of material, which become muddled, get involved, unite or push away. Every layer of pictorial substance participates to structure this work which elaborates in the time, leading the duration, and joins in the material, to feed the space..
It is the glance put on the uniqueness of the creation and a fine plastic interrogation, on the current evolution of our society, that here, is proposed to us.
Didier HENRY